Drop Hedging Words to Make Your Writing Stronger

One of the most common habits I see in new writers is the overuse of hedging words — those little fillers like “maybe,” “probably,” “seems,” or “kind of.”

In writing, hedging refers to using words or phrases that soften or dilute statements, making them sound less assertive or confident. These words often express uncertainty, caution, or vagueness.

Hedging words are a natural part of everyday conversations to soften statements, express uncertainty, or be polite. We say things like, “I think this might be a good idea” or “It’s probably a good approach” to avoid sounding too direct or overly confident. This conversational habit can seep into our writing, especially in first drafts, where we tend to write as we speak.

In prose, however, hedging words can weaken the impact of our storytelling. Words like “maybe,” “sort of,” and “kind of” make our characters sound hesitant or unsure, which can undercut tension and reduce the clarity of emotions or actions.

For instance, if a character “kind of feels scared,” readers are left questioning the depth of fear experienced by the character. Does the character truly feel scared, or are they unsure? Are they “maybe a little scared” or genuinely terrified?

As authors, hedging words dilutes your writing and weaken your message.

As readers, we only know what the author tells us, and if the author is uncertain, on the fence, unclear, or can’t communicate action or dialogue with precision, we feel it.

Cutting hedging words strengthens your story by letting your descriptions land with more impact. Readers can sense the difference, and a clear, bold choice pulls them in. Strengthening the prose often means choosing direct, clear words that convey precise emotions or actions, giving readers a more vivid experience without the haze of uncertainty. By stripping away the maybes, the kind ofs, the sort ofs, the probablies, the writing becomes more powerful, allowing readers to fully engage in the story without second-guessing the character’s intentions or feelings.

Keep an eye out for these kinds of words. When you find them, ask yourself if they’re necessary, and try the sentence without them. Nine times out of ten, you’ll find that your prose gains a sharper edge and communicates exactly what you mean.

As you gain confidence, you’ll find that your storytelling voice becomes more robust and more distinct — without uncertainty or extra fluff. Readers want to feel they’re in good hands, and a bold, decisive voice does just that.

Less hedging equals more power!

R