Generally, I write short stories (<5000 words) and novellas (10,000 - 40,000) words.

Why? A couple of reasons.

First, rewriting a novel is a disheartening slog, and I use the term ‘rewriting’ intentionally: it’s a project that never ends. It’s a toil. For some, it can consume upwards of two years, and really, novels can languish for decades and never get done.

The prospect of endlessly working on just one endless project ticks me off. I’d much rather work on something with a definitive start and a definitive end, and even if I reworked it, it’d take a month, not a year. That just makes me feel happier.

Second, people wrote novels because it was the form expected by traditional publishers. As I recently wrote, modern books are electronically published, reproduced, and distributed at zero incremental cost. It doesn’t matter if my work is 300 words or 30,000 words: I can distribute both exactly the same way for free.

So who cares?

Finally, I think there’s a transition happening with consumer preferences and books. The very act of reading is changing. Few people are reading, and when they do read, they’re reading in shorter bursts of time. They’re reading on mobile electronic devices with smaller screens, like tablets and phones, where they can control the flow, typesetting, and introduction of new content. Bursts of reading activity with smaller samples, like, 2,000 words, benefit the serialization of fiction, where consumers are digesting reading as they would a series from Netflix. They’ll read one 2,000-word episode and return to the new episode later, or if they’ve time, binge 2-4 episodes at a time, not paying for an entire premium price of a novel, but instead paying for what they use/consume. I feel I’m writing in a format desired by modern consumers, perhaps at the exclusion of older consumers who prefer to own (rather than lease) thick, chunky novels at premium prices.

Generally, I write around 5,000 words a week so I can usually get through at least one book project a month. You know, there’s something comforting about starting a project and finishing it. Isn’t that what all writers really want? To play with an idea, build it out, and then move on to the next great thing?

Again, that idea just makes me happy. And if you write and bury yourself for two or more years in a writing project that just erodes your soul, I just don’t understand: why would you do that?

You don’t need to. Not anymore.

R